Combined selection
120 to 150 minutes
An editorial selection in which “120 to 150 minutes” is supported by visible content and human review.
Duration120 to 150 minutes
Open all filters →
Movies
13Matching films
Magazine
7Related reading
Conan the Barbarian: Which platforms list the film and what remains to be confirmed
Conan the Barbarian (1982) appears in Spanish-language listings for Disney Plus, Movistar Plus+ and Amazon Prime Video. A title page does not guarantee an active offer or access from a particular country: check the provider’s terms.
From 120 to 150 Minutes
Running time helps plan a viewing, but does not alone define a film's format, pace or quality. The length of a particular edition and a catalogue threshold answer different questions.
I’m Still Here: How does it connect private experience with public history?
Walter Salles’s drama brings Brazil’s repressive apparatus into a home and a family. Reading its formal choices alongside the historical record helps us appreciate that perspective without mistaking fiction based on real events for documentary evidence.
Sinners: format, light and music in its production sources
The filmmakers’ accounts explain choices about cinematography, space and music. This documentary analysis is not based on a complete viewing and does not replace an assessment of the finished film.
Affeksjonsverdi: a critique of its thresholds, pauses and house
This reading is deliberately moderate on spoilers and is not intended to replace a complete viewing: it draws on official materials, technical interviews and exhibition coverage to identify which formal decisions are documented. Its conclusion is provisional, not a scene-by-scene review validated by a second editorial viewing.
Weapons: a second-viewing notebook for tracking what changes from one scene to the next
A complete-spoiler guide to revisiting Weapons without reducing it to a single solution: a note-taking method for distinguishing cuts, ellipses, repetitions, shifts in perspective and relationships between image and sound.
After Watching The Substance: A Guide to Turning Discomfort into Formal Questions
A second-viewing guide to separating what The Substance shows from what it suggests. It does not seek to close off the film’s meaning, but to test readings of the body, the gaze, fame and self-destruction through framing, colour, editing, sound and repetition.
