Real Competition on Screen
The film was also shot during Grand Prix weekends in 2023 and 2024. Its racing sequences feature real Formula 1 teams and drivers, as part of a production developed in collaboration with the FIA.
F1 (2025), directed by Joseph Kosinski, combines sports drama with motor racing: Brad Pitt plays a driver who returns to Formula 1 to help a struggling team.
Sonny Hayes, an American driver who has been away from Formula 1 for about 30 years, is invited by his former teammate Rubén Cervantes to return and help get the struggling APXGP team back on track.
The film was also shot during Grand Prix weekends in 2023 and 2024. Its racing sequences feature real Formula 1 teams and drivers, as part of a production developed in collaboration with the FIA.
The protagonist and the APXGP team are part of the dramatic storyline; the film places their story alongside real teams and drivers from the championship.
A synthesis of the referenced review and comment excerpts. It represents the consulted sources, not a consensus of all critics or viewers.
In The Guardian, the critic praises the verve with which Joseph Kosinski assembles the film and considers its presentation entertaining, despite noting elements of misogynistic melodrama.
FilaSiete’s critic highlights the images’ visual appeal and the expansive views of the circuits, especially in IMAX format.
The New York Times en español review objects that the film brings together predictable narrative clichés and visual appeal.
Prepared with AI assistance and automated evidence and spoiler checks. This is not a first-hand viewing review or a numerical rating. Internal quotations are not reproduced; references provide the original context.
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The clarity of a race does not depend on the image moving faster or the sound becoming louder. In F1, the sense of risk emerges when the film manages points of reference: who occupies each position, where we are looking from, what distance is lost and what acoustic cue brings the viewer back to the track.
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