The Good, the Bad and the Ugly
- Shares the drama film genre
- Shares the Italy cinema
- Released in a similar period
- Similar runtime
Film record
La Dolce Vita
Original title: La dolce vita
The editorial synopsis is not ready. We do not replace it with marketing copy.
- Production countries
- Italy · France
- Languages
- English · French · Italian · German
- Genres
- comedy film · drama film
Credits
Direction
Federico Fellini — Directing
Cast
Marcello Mastroianni — Acting
Anita Ekberg — Acting
Anouk Aimée — Acting
Yvonne Furneaux — Acting
Magali Noël — Acting
Alain Cuny — Acting
Annibale Ninchi — Acting
Walter Santesso — Acting
Valeria Ciangottini — Acting
Riccardo Garrone — Acting
Laura Betti — Acting
Lex Barker — Acting
Ida Galli — Acting
Gianni Baghino — Acting
Polidor — Acting
Enzo Cerusico — Acting
Giulio Paradisi — Acting
Nadia Gray — Acting
Mino Doro — Acting
Enrico Glori — Acting
Dominot — Acting
Adriano Celentano — Acting
Nico — Acting
Rina Franchetti — Acting
Oretta Fiume — Acting
Giò Stajano — Acting
Jacques Sernas — Acting
Gianfranco Mingozzi — Acting
Anna Salvatore — Acting
Leonida Rèpaci — Acting
Giuliana Lojodice — Acting
Franco Giacobini — Acting
Giulio Questi — Acting
Lily Granado — Acting
Daniela Calvino — Acting
Umberto Orsini — Acting
Renato Mambor — Acting
Italo Zingarelli — Acting
Renée Longarini — Acting
Gloria Jones — Acting
Iris Tree — Acting
Oscar Ghiglia — Acting
Alfredo Rizzo — Acting
Leopoldo Savona — Acting
Liana Orfei — Acting
Aldo Vasco — Acting
Ignazio Balsamo — Acting
Giuseppe Addobbati — Acting
Alberto Plebani — Acting
Writing
Ennio Flaiano — Screenwriting
Tullio Pinelli — Screenwriting
Brunello Rondi — Screenwriting
Pier Paolo Pasolini — Screenwriting
Federico Fellini — Screenwriting
Music
Nino Rota — Music composition
Cinematography
Otello Martelli — Cinematography
Editing
Leo Catozzo — Editing
Art department
Piero Gherardi — Production design
Costume
Piero Gherardi — Costume design
Versions and cuts
No versions have been documented yet.
Film connections
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Non-personalised suggestions built from visible relationships, not popularity.
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