Film record

Quo Vadis

1951Feature film171 minVerification: Verified

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Production countries
United States
Languages
English
Genres
drama film · sword-and-sandal film

Credits

Cinematography

Robert L. Surtees — Cinematography
William V. Skall — Cinematography

Direction

Mervyn LeRoy — Directing

Editing

Ralph E. Winters — Editing

Music

Miklós Rózsa — Music composition

Cast

Robert Taylor — Acting (Marcus Vinicius)
Deborah Kerr — Acting (Lygia)
Peter Ustinov — Acting (Nero)
Leo Genn — Acting (Petronius)
Patricia Laffan — Acting (Poppaea Sabina)
Finlay Currie — Acting (Saint Peter)
Felix Aylmer — Acting (Plautius)
Abraham Sofaer — Acting (Paul)
Marina Berti — Acting (Eunice)
William Tubbs — Acting (Anaxander)
Anna Arena — Acting
Adrienne Corri — Acting (Christian girl)
Liana Del Balzo — Acting
Lia Di Leo — Acting
Franco Fantasia — Acting
Enzo Fiermonte — Acting
Sophia Loren — Acting (Lygian slave)
Helena Makowska — Acting
Clelia Matania — Acting (Parmenida)
Walter Pidgeon — Acting (Narrator)
Bud Spencer — Acting (Imperial Guard)
Elizabeth Taylor — Acting (Christian prisoner)
Pietro Tordi — Acting (Galba)
Giuseppe Tosi — Acting (wrestler)
Maria Zanoli — Acting
Giulio Donnini — Acting
Nora Swinburne — Acting (Pomponia)
Norman Wooland — Acting (Nerva)
Buddy Baer — Acting (Ursus)
Peter Miles — Acting (Nazarius)
Ralph Truman — Acting (Tigellinus)
Richard Garrick — Acting (Public Slave)
Rosalie Crutchley — Acting (Acte)
Alfredo Varelli — Acting (Lucan)
Leslie Bradley — Acting
Aldo Pini — Acting
Alfred Baillou — Acting
Al Ferguson — Acting
Robin Hughes — Acting (Jesus of Nazareth in flashback tableaux)
Nicholas Hannen — Acting (Seneca)
D. A. Clarke-Smith — Acting (Phaon)
John Ruddock — Acting (Chilo)
Elspeth March — Acting (Miriam)
Q63244769 — Acting (Assyrian Dancer)
Christopher Lee — Acting (Chariot driver)

Production

Sam Zimbalist — Production

Writing

S. N. Behrman — Screenwriting
John Lee Mahin — Screenwriting
Sonya Levien — Screenwriting
Henryk Sienkiewicz — Screenwriting
Documented participation

Film companies and organizations

Each relationship distinguishes role, territory, medium and period.

Distribution

Netflix

International
Verified

Versions and cuts

No versions have been documented yet.

Film connections

Connected films

Non-personalised suggestions built from visible relationships, not popularity.

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