Film record

Cleopatra

1934Feature film100 minVerification: Verified

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Production countries
United States
Languages
English
Genres
drama film · epic film · biographical film

Credits

Art department

Roland Anderson — Production design

Cinematography

Victor Milner — Cinematography

Costume

Travis Banton — Costume design

Direction

Cecil B. DeMille — Directing

Editing

Anne Bauchens — Editing

Music

Rudolph G. Kopp — Music composition

Cast

Claudette Colbert — Acting (Cleopatra)
Warren William — Acting (Julius Caesar)
Henry Wilcoxon — Acting (Marc Antony)
Joseph Schildkraut — Acting (King Herod)
Ian Keith — Acting (Octavian)
C. Aubrey Smith — Acting (Enobarbus)
Irving Pichel — Acting (Apollodorus)
Leonard Mudie — Acting (Pothinos)
Claudia Dell — Acting (Octavia)
Lionel Belmore — Acting (Fidius)
William V. Mong — Acting (Court physician)
George Walsh — Acting (Courier)
Charles W. Morris — Acting
John Carradine — Acting
Julanne Johnston — Acting
Wilfred Lucas — Acting
David Niven — Acting
Phillips Smalley — Acting
Bryant Washburn — Acting
Arthur Hohl — Acting (Brutus)
Edmund Burns — Acting
Florence Roberts — Acting (Lady Flora)
Gertrude Michael — Acting (Calpurnia)
Harry Beresford — Acting (Soothsayer)
Mary MacLaren — Acting
Robert Warwick — Acting (General Achillas)
William Farnum — Acting (Lepidus)
Edwin Maxwell — Acting (Casca)
Ian Maclaren — Acting (Cassius)
Eleanor Phelps — Acting (Charmion)
Ferdinand Gottschalk — Acting (Glabrio)
Jayne Regan — Acting (Lady Vesta (as Jane Regan))
Richard Alexander — Acting (General Philodemas)
Jack Rutherford — Acting (Flavius)
Wedgwood Nowell — Acting (Scribe)
Edgar Dearing — Acting (the convict who tests the poison)

Production

Cecil B. DeMille — Production

Writing

Waldemar Young — Screenwriting
Documented participation

Film companies and organizations

Each relationship distinguishes role, territory, medium and period.

Distribution

Netflix

International
Verified

Versions and cuts

No versions have been documented yet.

Film connections

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Non-personalised suggestions built from visible relationships, not popularity.

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